meditation/ walk/ lottery centre, 2019
site specific 4-channel videos installation/ performance documented by iPhone
The Thailand Lottery Centre is the largest secondary market for lottery tickets in the country. The semi-open structure, located in Bangkok’s periphery, is a place for intermediaries - those involved in the trade of fortune - as well as a intermediate space - halfway between speculation and superstition, materialist aspirations and spiritual beliefs.
Drawing on their research and site visits, Tentacles artist-in-residence they activates such intersections and the tensions they contain in their solo exhibition “(No) Ulterior Motives”. Built on differing rhythms, their site-specific video installation establishes a connection between the two locations: the Lottery Centre and the exhibition space. As lottery buyers paced around the marketplace with clear intent, searching for their lucky number combinations, They performed meditative walks that are seemingly detached from any particular goal. What ensues is a never ending cycle - that of searching and finding, winning and losing. The question of finality preoccupies both they and the lottery buyers. What comes across as nonsensical may be end up being more pragmatic than foreseen, and vice versa.
This residency and exhibition are supported by Hong Kong Arts Development Council.
Exhibiting histories:
2019
- (No) Ulterior Motives, Tentacle Art Space, BKK, TH, curated by Ariane Sutthavong